PICĂTURI DE NISIP

vineri, 22 ianuarie 2010

PREMIILE OSCAR: EDIŢIILE 21-30




1948 (21st)
ACTOR
* Laurence Olivier -- Hamlet {"Hamlet"}
ACTOR IN A SUPPORTING ROLE
* Walter Huston -- The Treasure of the Sierra Madre {"Howard"}
ACTRESS
* Jane Wyman -- Johnny Belinda {"Belinda McDonald"}
ACTRESS IN A SUPPORTING ROLE
* Claire Trevor -- Key Largo {"Gaye"}
ART DIRECTION (Black-and-White)
* Hamlet -- Art Direction: Roger K. Furse; Set Decoration: Carmen Dillon
ART DIRECTION (Color)
* The Red Shoes -- Art Direction: Hein Heckroth; Set Decoration: Arthur Lawson
CINEMATOGRAPHY (Black-and-White)
* The Naked City -- William Daniels
CINEMATOGRAPHY (Color)
* Joan of Arc -- Joseph Valentine, William V. Skall, Winton Hoch
COSTUME DESIGN (Black-and-White)
* Hamlet -- Roger K. Furse
COSTUME DESIGN (Color)
* Joan of Arc -- Dorothy Jeakins, Karinska
DIRECTING
* The Treasure of the Sierra Madre -- John Huston
DOCUMENTARY (Feature)
* The Secret Land -- Orville O. Dull, Producer
DOCUMENTARY (Short Subject)
* Toward Independence -- United States Army
FILM EDITING
* The Naked City -- Paul Weatherwax
MUSIC (Music Score of a Dramatic or Comedy Picture)
* The Red Shoes -- Brian Easdale
MUSIC (Scoring of a Musical Picture)
* Easter Parade -- Johnny Green, Roger Edens
MUSIC (Song)
* "Buttons and Bows" from The Paleface
BEST MOTION PICTURE
* Hamlet -- J. Arthur Rank-Two Cities Films
SHORT SUBJECT (Cartoon)
* The Little Orphan -- Fred Quimby, Producer
SHORT SUBJECT (One-reel)
* Symphony of a City -- Edmund H. Reek, Producer
SHORT SUBJECT (Two-reel)
* Seal Island -- Walt Disney, Producer
SOUND RECORDING
* The Snake Pit
SPECIAL EFFECTS
* Portrait of Jennie
WRITING (Motion Picture Story)
* The Search -- Richard Schweizer, David Wechsler
WRITING (Screenplay)
* The Treasure of the Sierra Madre -- John Huston
SPECIAL FOREIGN LANGUAGE FILM AWARD
* To Monsieur Vincent


1949 (22nd)
ACTOR
* Broderick Crawford -- All the King's Men {"Willie Stark"}
ACTOR IN A SUPPORTING ROLE
* Dean Jagger -- Twelve O'Clock High {"Major Stovall"}
ACTRESS
* Olivia de Havilland -- The Heiress {"Catherine Sloper"}
ACTRESS IN A SUPPORTING ROLE
* Mercedes McCambridge -- All the King's Men {"Sadie Burke"}
ART DIRECTION (Black-and-White)
* The Heiress -- Art Direction: Harry Horner, John Meehan; Set Decoration: Emile Kuri
ART DIRECTION (Color)
* Little Women -- Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Jack D. Moore
CINEMATOGRAPHY (Black-and-White)
* Battleground -- Paul C. Vogel
CINEMATOGRAPHY (Color)
* She Wore a Yellow Ribbon -- Winton Hoch
COSTUME DESIGN (Black-and-White)
* The Heiress -- Edith Head, Gile Steele
COSTUME DESIGN (Color)
* The Adventures of Don Juan -- Leah Rhodes, Travilla, Marjorie Best
DIRECTING
* A Letter to Three Wives -- Joseph L. Mankiewicz
DOCUMENTARY (Feature)
* Daybreak in Udi -- Crown Film Unit
DOCUMENTARY (Short Subject)
* A Chance to Live -- Richard de Rochemont, Producer
* So Much for So Little -- Edward Selzer, Producer
FILM EDITING
* Champion -- Harry Gerstad
MUSIC (Music Score of a Dramatic or Comedy Picture)
* The Heiress -- Aaron Copland
MUSIC (Scoring of a Musical Picture)
* On the Town -- Roger Edens, Lennie Hayton
MUSIC (Song)
* "Baby, It's Cold Outside" from Neptune's Daughter -- Music and Lyrics by Frank Loesser
BEST MOTION PICTURE
* All the King's Men -- Robert Rossen Productions
SHORT SUBJECT (Cartoon)
* For Scent-Imental Reasons -- Edward Selzer, Producer
SHORT SUBJECT (One-reel)
* Aquatic House-Party -- Jack Eaton, Producer
SHORT SUBJECT (Two-reel)
* Van Gogh -- Gaston Diehl and Robert Haessens, Producers
SOUND RECORDING
* Twelve O'Clock High
SPECIAL EFFECTS
* Mighty Joe Young -- ARKO Productions
WRITING (Motion Picture Story)
* The Stratton Story -- Douglas Morrow
WRITING (Screenplay)
* A Letter to Three Wives -- Joseph L. Mankiewicz
WRITING (Story and Screenplay)
* Battleground -- Robert Pirosh
SPECIAL FOREIGN LANGUAGE FILM AWARD
* To The Bicycle Thief


1950 (23rd)
ACTOR
* José Ferrer -- Cyrano de Bergerac {"Cyrano de Bergerac"}
ACTOR IN A SUPPORTING ROLE
* George Sanders -- All about Eve {"Addison De Witt"}
ACTRESS
* Judy Holliday -- Born Yesterday {"Billie Dawn"}
ACTRESS IN A SUPPORTING ROLE
* Josephine Hull -- Harvey {"Veta Louise Simmons"}
ART DIRECTION (Black-and-White)
* Sunset Blvd. -- Art Direction: Hans Dreier, John Meehan; Set Decoration: Sam Comer, Ray Moyer
ART DIRECTION (Color)
* Samson and Delilah -- Art Direction: Hans Dreier, Walter Tyler; Set Decoration: Sam Comer, Ray Moyer
CINEMATOGRAPHY (Black-and-White)
* The Third Man -- Robert Krasker
CINEMATOGRAPHY (Color)
* King Solomon's Mines -- Robert Surtees
COSTUME DESIGN (Black-and-White)
* All about Eve -- Edith Head, Charles LeMaire
COSTUME DESIGN (Color)
* Samson and Delilah -- Edith Head, Dorothy Jeakins, Elois Jenssen, Gile Steele, Gwen Wakeling
DIRECTING
* All about Eve -- Joseph L. Mankiewicz
DOCUMENTARY (Feature)
* The Titan: Story of Michelangelo -- Robert Snyder, Producer
DOCUMENTARY (Short Subject)
* Why Korea? -- Edmund Reek, Producer
FILM EDITING
* King Solomon's Mines -- Ralph E. Winters, Conrad A. Nervig
MUSIC (Music Score of a Dramatic or Comedy Picture)
* Sunset Blvd. -- Franz Waxman
MUSIC (Scoring of a Musical Picture)
* Annie Get Your Gun -- Adolph Deutsch, Roger Edens
MUSIC (Song)
* "Mona Lisa" from Captain Carey, U.S.A.
BEST MOTION PICTURE
* All about Eve -- 20th Century-Fox
SHORT SUBJECT (Cartoon)
* Gerald McBoing-Boing -- Stephen Bosustow, Producer
SHORT SUBJECT (One-reel)
* Grandad of Races -- Gordon Hollingshead, Producer
SHORT SUBJECT (Two-reel)
* In Beaver Valley -- Walt Disney, Producer
SOUND RECORDING
* All about Eve
SPECIAL EFFECTS
* Destination Moon -- George Pal Productions
WRITING (Motion Picture Story)
* Panic in the Streets -- Edna Anhalt, Edward Anhalt
WRITING (Screenplay)
* All about Eve -- Joseph L. Mankiewicz
WRITING (Story and Screenplay)
* Sunset Blvd. -- Charles Brackett, Billy Wilder, D. M. Marshman, Jr.
HONORARY FOREIGN LANGUAGE FILM AWARD
* To The Walls of Malapaga


1951 (24th)
ACTOR
* Humphrey Bogart -- The African Queen {"Charlie Allnut"}
ACTOR IN A SUPPORTING ROLE
* Karl Malden -- A Streetcar Named Desire {"Mitch"}
ACTRESS
* Vivien Leigh -- A Streetcar Named Desire {"Blanche DuBois"}
ACTRESS IN A SUPPORTING ROLE
* Kim Hunter -- A Streetcar Named Desire {"Stella Kowalski"}
ART DIRECTION (Black-and-White)
* A Streetcar Named Desire -- Art Direction: Richard Day; Set Decoration: George James Hopkins
ART DIRECTION (Color)
* An American in Paris -- Art Direction: Cedric Gibbons, Preston Ames; Set Decoration: Edwin B. Willis, Keogh Gleason
CINEMATOGRAPHY (Black-and-White)
* A Place in the Sun -- William C. Mellor
CINEMATOGRAPHY (Color)
* An American in Paris -- Alfred Gilks; Ballet Photography by John Alton
COSTUME DESIGN (Black-and-White)
* A Place in the Sun -- Edith Head
COSTUME DESIGN (Color)
* An American in Paris -- Orry-Kelly, Walter Plunkett, Irene Sharaff
DIRECTING
* A Place in the Sun -- George Stevens
DOCUMENTARY (Feature)
* Kon-Tiki -- Olle Nordemar, Producer
DOCUMENTARY (Short Subject)
* Benjy
FILM EDITING
* A Place in the Sun -- William Hornbeck
MUSIC (Music Score of a Dramatic or Comedy Picture)
* A Place in the Sun -- Franz Waxman
MUSIC (Scoring of a Musical Picture)
* An American in Paris -- Johnny Green, Saul Chaplin
MUSIC (Song)
* "In the Cool, Cool, Cool of the Evening" from Here Comes the Groom
BEST MOTION PICTURE
* An American in Paris -- Arthur Freed, Producer
SHORT SUBJECT (Cartoon)
* The Two Mouseketeers -- Fred Quimby, Producer
SHORT SUBJECT (One-reel)
* World of Kids -- Robert Youngson, Producer
SHORT SUBJECT (Two-reel)
* Nature's Half Acre -- Walt Disney, Producer
SOUND RECORDING
* The Great Caruso
SPECIAL EFFECTS
* When Worlds Collide -- Paramount
WRITING (Motion Picture Story)
* Seven Days to Noon -- Paul Dehn, James Bernard
WRITING (Screenplay)
* A Place in the Sun -- Michael Wilson, Harry Brown
WRITING (Story and Screenplay)
* An American in Paris -- Alan Jay Lerner
HONORARY FOREIGN LANGUAGE FILM AWARD
* To Rashomon


1952 (25th)
ACTOR
* Gary Cooper -- High Noon {"Will Kane"}
ACTOR IN A SUPPORTING ROLE
* Anthony Quinn -- Viva Zapata! {"Eufemio Zapata"}
ACTRESS
* Shirley Booth -- Come Back, Little Sheba {"Lola Delaney"}
ACTRESS IN A SUPPORTING ROLE
* Gloria Grahame -- The Bad and the Beautiful {"Rosemary Bartlow"}
ART DIRECTION (Black-and-White)
* The Bad and the Beautiful -- Art Direction: Cedric Gibbons, Edward Carfagno; Set Decoration: Edwin B. Willis, Keogh Gleason
ART DIRECTION (Color)
* Moulin Rouge -- Art Direction: Paul Sheriff; Set Decoration: Marcel Vertes
CINEMATOGRAPHY (Black-and-White)
* The Bad and the Beautiful -- Robert Surtees
CINEMATOGRAPHY (Color)
* The Quiet Man -- Winton C. Hoch, Archie Stout
COSTUME DESIGN (Black-and-White)
* The Bad and the Beautiful -- Helen Rose
COSTUME DESIGN (Color)
* Moulin Rouge -- Marcel Vertes
DIRECTING
* The Quiet Man -- John Ford
DOCUMENTARY (Feature)
* The Sea around Us -- Irwin Allen, Producer
DOCUMENTARY (Short Subject)
* Neighbours -- Norman McLaren, Producer
FILM EDITING
* High Noon -- Elmo Williams, Harry Gerstad
MUSIC (Music Score of a Dramatic or Comedy Picture)
* High Noon -- Dimitri Tiomkin
MUSIC (Scoring of a Musical Picture)
* With a Song in My Heart -- Alfred Newman
MUSIC (Song)
* "High Noon (Do Not Forsake Me, Oh My Darlin')" from High Noon
BEST MOTION PICTURE
* The Greatest Show on Earth -- Cecil B. DeMille, Producer
SHORT SUBJECT (Cartoon)
* Johann Mouse -- Fred Quimby, Producer
SHORT SUBJECT (One-reel)
* Light in the Window: The Art of Vermeer -- Boris Vermont, Producer
SHORT SUBJECT (Two-reel)
* Water Birds -- Walt Disney, Producer
SOUND RECORDING
* Breaking the Sound Barrier -- London Film Sound Department
SPECIAL EFFECTS
* Plymouth Adventure -- Metro-Goldwyn-Mayer
WRITING (Motion Picture Story)
* The Greatest Show on Earth -- Fredric M. Frank, Theodore St. John, Frank Cavett
WRITING (Screenplay)
* The Bad and the Beautiful -- Charles Schnee
WRITING (Story and Screenplay)
* The Lavender Hill Mob -- T. E. B. Clarke


1953 (26th)
ACTOR
* William Holden -- Stalag 17 {"Sefton"}
ACTOR IN A SUPPORTING ROLE
* Frank Sinatra -- From Here to Eternity {"Angelo Maggio"}
ACTRESS
* Audrey Hepburn -- Roman Holiday {"Princess Anne"}
ACTRESS IN A SUPPORTING ROLE
* Donna Reed -- From Here to Eternity {"Lorene/Alma"}
ART DIRECTION (Black-and-White)
* Julius Caesar -- Art Direction: Cedric Gibbons, Edward Carfagno; Set Decoration: Edwin B. Willis, Hugh Hunt
ART DIRECTION (Color)
* The Robe -- Art Direction: Lyle Wheeler, George W. Davis; Set Decoration: Walter M. Scott, Paul S. Fox
CINEMATOGRAPHY (Black-and-White)
* From Here to Eternity -- Burnett Guffey
CINEMATOGRAPHY (Color)
* Shane -- Loyal Griggs
COSTUME DESIGN (Black-and-White)
* Roman Holiday -- Edith Head
COSTUME DESIGN (Color)
* The Robe -- Charles LeMaire, Emile Santiago
DIRECTING
* From Here to Eternity -- Fred Zinnemann
DOCUMENTARY (Feature)
* The Living Desert -- Walt Disney, Producer
DOCUMENTARY (Short Subject)
* The Alaskan Eskimo -- Walt Disney, Producer
FILM EDITING
* From Here to Eternity -- William Lyon
MUSIC (Music Score of a Dramatic or Comedy Picture)
* Lili -- Bronislau Kaper
MUSIC (Scoring of a Musical Picture)
* Call Me Madam -- Alfred Newman
MUSIC (Song)
* "Secret Love" from Calamity Jane
BEST MOTION PICTURE
* From Here to Eternity -- Buddy Adler, Producer
SHORT SUBJECT (Cartoon)
* Toot, Whistle, Plunk and Boom -- Walt Disney, Producer
SHORT SUBJECT (One-reel)
* The Merry Wives of Windsor Overture -- Johnny Green, Producer
SHORT SUBJECT (Two-reel)
* Bear Country -- Walt Disney, Producer
SOUND RECORDING
* From Here to Eternity
SPECIAL EFFECTS
* The War of the Worlds -- Paramount Studio
WRITING (Motion Picture Story)
* Roman Holiday -- Dalton Trumbo
WRITING (Screenplay)
* From Here to Eternity -- Daniel Taradash
WRITING (Story and Screenplay)
* Titanic -- Charles Brackett, Walter Reisch, Richard Breen


1954 (27th)
ACTOR
* Marlon Brando -- On the Waterfront {"Terry Malloy"}
ACTOR IN A SUPPORTING ROLE
* Edmond O'Brien -- The Barefoot Contessa {"Oscar Muldoon"}
ACTRESS
* Grace Kelly -- The Country Girl {"Georgie Elgin"}
ACTRESS IN A SUPPORTING ROLE
* Eva Marie Saint -- On the Waterfront {"Edie Doyle"}
ART DIRECTION (Black-and-White)
* On the Waterfront -- Richard Day
ART DIRECTION (Color)
* 20,000 Leagues under the Sea -- Art Direction: John Meehan; Set Decoration: Emile Kuri
CINEMATOGRAPHY (Black-and-White)
* On the Waterfront -- Boris Kaufman
CINEMATOGRAPHY (Color)
* Three Coins in the Fountain -- Milton Krasner
COSTUME DESIGN (Black-and-White)
* Sabrina -- Edith Head
COSTUME DESIGN (Color)
* Gate of Hell -- Sanzo Wada
DIRECTING
* On the Waterfront -- Elia Kazan
DOCUMENTARY (Feature)
* The Vanishing Prairie -- Walt Disney, Producer
DOCUMENTARY (Short Subject)
* Thursday's Children -- World Wide Pictures and Morse Films
FILM EDITING
* On the Waterfront -- Gene Milford
MUSIC (Music Score of a Dramatic or Comedy Picture)
* The High and the Mighty -- Dimitri Tiomkin
MUSIC (Scoring of a Musical Picture)
* Seven Brides for Seven Brothers -- Adolph Deutsch, Saul Chaplin
MUSIC (Song)
* "Three Coins in the Fountain" from Three Coins in the Fountain
BEST MOTION PICTURE
* On the Waterfront -- Sam Spiegel, Producer
SHORT SUBJECT (Cartoon)
* When Magoo Flew -- Stephen Bosustow, Producer
SHORT SUBJECT (One-reel)
* This Mechanical Age -- Robert Youngson, Producer
SHORT SUBJECT (Two-reel)
* A Time Out of War -- Denis Sanders and Terry Sanders, Producers
SOUND RECORDING
* The Glenn Miller Story
SPECIAL EFFECTS
* 20,000 Leagues under the Sea -- Walt Disney Studios
WRITING (Motion Picture Story)
* Broken Lance -- Philip Yordan
WRITING (Screenplay)
* The Country Girl -- George Seaton
WRITING (Story and Screenplay)
* On the Waterfront -- Budd Schulberg


1955 (28th)
ACTOR
* Ernest Borgnine -- Marty {"Marty Pilletti"}
ACTOR IN A SUPPORTING ROLE
* Jack Lemmon -- Mister Roberts {"Ensign Pulver"}
ACTRESS
* Anna Magnani -- The Rose Tattoo {"Serafina Della Rose"}
ACTRESS IN A SUPPORTING ROLE
* Jo Van Fleet -- East of Eden {"Kate"}
ART DIRECTION (Black-and-White)
* The Rose Tattoo -- Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Arthur Krams
ART DIRECTION (Color)
* Picnic -- Art Direction: William Flannery, Jo Mielziner; Set Decoration: Robert Priestley
CINEMATOGRAPHY (Black-and-White)
* The Rose Tattoo -- James Wong Howe
CINEMATOGRAPHY (Color)
* To Catch a Thief -- Robert Burks
COSTUME DESIGN (Black-and-White)
* I'll Cry Tomorrow -- Helen Rose
COSTUME DESIGN (Color)
* Love Is a Many-Splendored Thing -- Charles LeMaire
DIRECTING
* Marty -- Delbert Mann
DOCUMENTARY (Feature)
* Helen Keller in Her Story -- Nancy Hamilton, Producer
DOCUMENTARY (Short Subject)
* Men against the Arctic -- Walt Disney, Producer
FILM EDITING
* Picnic -- Charles Nelson, William A. Lyon
MUSIC (Music Score of a Dramatic or Comedy Picture)
* Love Is a Many-Splendored Thing -- Alfred Newman
MUSIC (Scoring of a Musical Picture)
* Oklahoma! -- Robert Russell Bennett, Jay Blackton, Adolph Deutsch
MUSIC (Song)
* "Love Is a Many-Spendored Thing" from Love Is a Many-Splendored Thing
BEST MOTION PICTURE
* Marty -- Harold Hecht, Producer
SHORT SUBJECT (Cartoon)
* Speedy Gonzales -- Edward Selzer, Producer
SHORT SUBJECT (One-reel)
* Survival City -- Edmund Reek, Producer
SHORT SUBJECT (Two-reel)
* The Face of Lincoln -- Wilbur T. Blume, Producer
SOUND RECORDING
* Oklahoma! -- Todd-AO Sound Department, Fred Hynes, Sound Director
SPECIAL EFFECTS
* The Bridges at Toko-Ri -- Paramount Studio
WRITING (Motion Picture Story)
* Love Me or Leave Me -- Daniel Fuchs
WRITING (Screenplay)
* Marty -- Paddy Chayefsky
WRITING (Story and Screenplay)
* Interrupted Melody -- William Ludwig, Sonya Levien


1956 (29th)
ACTOR
* Yul Brynner -- The King and I {"The King"}
ACTOR IN A SUPPORTING ROLE
* Anthony Quinn -- Lust for Life {"Paul Gauguin"}
ACTRESS
* Ingrid Bergman -- Anastasia {"The Woman"}
ACTRESS IN A SUPPORTING ROLE
* Dorothy Malone -- Written on the Wind {"Marylee Hadley"}
ART DIRECTION (Black-and-White)
* Somebody Up There Likes Me -- Art Direction: Cedric Gibbons, Malcolm F. Brown; Set Decoration: Edwin B. Willis, F. Keogh Gleason
ART DIRECTION (Color)
* The King and I -- Art Direction: Lyle R. Wheeler, John DeCuir; Set Decoration: Walter M. Scott, Paul S. Fox
CINEMATOGRAPHY (Black-and-White)
* Somebody Up There Likes Me -- Joseph Ruttenberg
CINEMATOGRAPHY (Color)
* Around the World in 80 Days -- Lionel Lindon
COSTUME DESIGN (Black-and-White)
* The Solid Gold Cadillac -- Jean Louis
COSTUME DESIGN (Color)
* The King and I -- Irene Sharaff
DIRECTING
* Giant -- George Stevens
DOCUMENTARY (Feature)
* The Silent World -- Jacques-Yves Cousteau, Producer
DOCUMENTARY (Short Subject)
* The True Story of the Civil War -- Louis Clyde Stoumen, Producer
FILM EDITING
* Around the World in 80 Days -- Gene Ruggiero, Paul Weatherwax
FOREIGN LANGUAGE FILM
* La Strada -- Italy; Dino De Laurentiis and Carlo Ponti, Producers
MUSIC (Music Score of a Dramatic or Comedy Picture)
* Around the World in 80 Days -- Victor Young
MUSIC (Scoring of a Musical Picture)
* The King and I -- Alfred Newman, Ken Darby
MUSIC (Song)
* "Whatever Will Be, Will Be (Que Sera, Sera)" from The Man Who Knew Too Much
BEST MOTION PICTURE
* Around the World in 80 Days -- Michael Todd, Producer
SHORT SUBJECT (Cartoon)
* Mister Magoo's Puddle Jumper -- Stephen Bosustow, Producer
SHORT SUBJECT (One-reel)
* Crashing the Water Barrier -- Konstantin Kalser, Producer
SHORT SUBJECT (Two-reel)
* The Bespoke Overcoat -- Romulus Films
SOUND RECORDING
* The King and I
SPECIAL EFFECTS
* The Ten Commandments -- John Fulton
WRITING (Motion Picture Story)
* The Brave One -- Dalton Trumbo
WRITING (Screenplay--Adapted)
* Around the World in 80 Days -- James Poe, John Farrow, S.J. Perelman
WRITING (Screenplay--Original)
* The Red Balloon -- Albert Lamorisse


1957 (30th)
ACTOR
* Alec Guinness -- The Bridge on the River Kwai {"Colonel Nicholson"}
ACTOR IN A SUPPORTING ROLE
* Red Buttons -- Sayonara {"Joe Kelly"}
ACTRESS
* Joanne Woodward -- The Three Faces of Eve {"Eve White/Eve Black/Jane"}
ACTRESS IN A SUPPORTING ROLE
* Miyoshi Umeki -- Sayonara {"Katsumi"}
ART DIRECTION
* Sayonara -- Art Direction: Ted Haworth; Set Decoration: Robert Priestley
CINEMATOGRAPHY
* The Bridge on the River Kwai -- Jack Hildyard
COSTUME DESIGN
* Les Girls -- Orry-Kelly
DIRECTING
* The Bridge on the River Kwai -- David Lean
DOCUMENTARY (Feature)
* Albert Schweitzer -- Jerome Hill, Producer
FILM EDITING
* The Bridge on the River Kwai -- Peter Taylor
FOREIGN LANGUAGE FILM
* The Nights of Cabiria -- Italy
MUSIC (Scoring)
* The Bridge on the River Kwai -- Malcolm Arnold
MUSIC (Song)
* "All The Way" from The Joker Is Wild
BEST MOTION PICTURE
* The Bridge on the River Kwai -- Sam Spiegel, Producer
SHORT SUBJECT (Cartoon)
* Birds Anonymous -- Edward Selzer, Producer
SHORT SUBJECT (Live Action)
* The Wetback Hound -- Larry Lansburgh, Producer
SOUND RECORDING
* Sayonara -- Warner Bros. Studio Sound Department, George Groves, Sound Director
SPECIAL EFFECTS
* The Enemy Below -- Audible Effects by Walter Rossi
WRITING (Screenplay--based on material from another medium)
* The Bridge on the River Kwai -- Michael Wilson, Carl Foreman, Pierre Boulle
WRITING (Story and Screenplay--written directly for the screen)
* Designing Woman -- George Wells

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